The Dreamway

From $ 345.00

Available on backorder

Two 30X40″ canvases together as a diptych That makes the total size 40X60″

If you purchase the original, there are special hanging instructions. You must move the painting periodically between two or more spaces in your home or office. So, from afar in the living room, plus the two pieces facing each other in a narrow hallway, to two separate rooms, they are meant to rove. You’ll find out why when you bring the original home.

Original sells as a DIPTYCH, but you can order giclees individually as giclees.  Email me with your wishes.

Giclee prints come gallery wrapped and ready for hanging. (If you want to frame it, please let me know and I’ll use skinnier stretcher bars). Original IS available. For info on this piece and all other available originals, click here.

I started painting in 1998.  Soon after, I discovered a mentor who helped me make the transition from insurance agent to artist: Robert Genn, a Canadian oil painter.  He had a weekly email newsletter I lived for and which helped shape my new life as an artist: The Painters Keys. He wrote a little book that blew my mind called “The Dreamway”.  His daughter Sara has kept his newsletter going, and the you can read the entire book online on her site here.    It starts out “She was speaking quietly to herself” This painting reminded me of the many different characters one comes across whilst traveling on the dreamway, which to me, is a state of mind, not a physical place.  The Dreamway is a great experience, and one I strive to realize as much as I can. The painting actually “painted itself” which was pure joy to do.  It flows from realism to abstraction and back again to the school of fish.

Description

The Dreamway unfolds across two vertical panels that function as a single continuous field. A dense current of small, repeating forms moves from right to left, shifting from compression to openness, from saturation to space. At first glance the image reads as pattern. Gradually, eyes and bodies surface. Fish emerge, recede, and dissolve back into rhythm.

The diptych structure matters. The left panel carries weight — heavier, darker, more compact, a kind of visual congregation. The right panel opens, allowing the current to thin and breathe. Together they suggest passage rather than destination, a visual movement that feels ongoing rather than resolved.

The painting operates in a space between realism and abstraction. At moments it becomes a school of fish. At others it becomes pure motion, color, and surface. Neither state dominates for long. The image drifts back and forth, resisting a fixed reading.

The title refers to The Dreamway as a state of mind rather than a place — a zone where images surface, rearrange, and slip away without needing explanation. In that sense, the painting behaves less like a picture of something and more like a visualization of a mental current: many small impressions traveling together, briefly forming recognizable shapes before dispersing again.

There is no horizon and no clear foreground or background. Depth is created through density, overlap, and color temperature rather than traditional spatial cues. The effect is immersive, almost sheltering. You are not looking into a scene so much as being inside a flow.

Rather than asking to be fixed in one configuration, The Dreamway invites flexibility. The two panels can live together or apart, close or distant, allowing the work to reconfigure itself over time. Each arrangement offers a slightly different experience of the same moving system.

Ultimately, the painting is about movement through an interior landscape — not a physical journey, but a drifting through states of awareness, where form, memory, and pattern continuously rearrange.

Additional information

40X60 Diptych

40X60 Original (two pieces), 40X60 Giclee (two pieces), 20X30 Giclee (two pieces), 10X15 Giclee (two Pieces), 30X45 Giclee (two pieces), 36X54 Giclee (two pieces)

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